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These paintings of New Orleans Parish further the thesis of humanity in its quest to make a wholesome place for itself in the world. Every defensive layer but the skin of the houses fell victim to Hurricane Katrina. Years after the event, the shells remain as sentinels guarding against further intrusion: the fence from strangers, the awning from the sun, the windows from visage, the roof from the rain.
These paintings of New Orleans Parish further the thesis of humanity in its quest to make a wholesome place for itself in the world. Every defensive layer but the skin of the houses fell victim to Hurricane Katrina. Years after the event, the shells remain as sentinels guarding against further intrusion: the fence from strangers, the awning from the sun, the windows from visage, the roof from the rain.
Gene's Po-Boy, oil on linen, 17.75 x 31.5 inches, 2014
NOLA Duplex #2654, oil on panel, 12 x 16 inches, 2015
NOLA Duplex #2656, oil on panel, 12 x 16 inches, 2015
L9 House #1309, oil on linen, 17.75 x 31.5 inches, 2014
L9 House #1417, oil on linen, 17.75 x 31.5 inches, 2014
L9 House #1315, oil on linen, 17.75 x 31.5 inches, 2014 (private collection)
L9 House #1335 (Blurred), oil on panel, 27 x 36 inches, 2014
Too High to Talk, oil and photo transfer on panel, each panel 8.25 x 10.5 inches, installation 26 x 46 inches, 2014 (private collection)
Refuge, Conduit Gallery, Dallas Texas
Refuge, Conduit Gallery, Dallas Texas
